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... and describes aspects of Rousseaus work and life. The mediaartwork seems to be an essay, but Boissier describes also...

... Weil and further expands the Hirshhorn's collection of art made with new and, or nontraditional media (:source...

In Cabin Fever, Cardiff and Miller reference traditional museum displays by using the formal structure of the diorama to transport the viewer into a scene depicting a cabin set deep in the woods. The captivating soundtrack, draws the viewers into

... the inside of pregnant women’s body, the womb on the screen the artist defines a cyberspace as exclusively maternal. The space “behind”...

...The project explores the use of biotechnology methods and materials as art media, for the development of paintings literally alive that...

... Files", it is initially the simulated presence of the two artists in their studio that seems to dominate as the primary level of...

ursula damm greenhouse converter, 2008 Cybernetic-model, consisting of waterfleas (daphnia magna), algues (Hydrodictyonreticulatum, volvoxglobator), LEDs with changing colours; pump, monitor, camera, waterfountain Water enriched with

... the metaphorical “red thread” constitute a chaotic swarm of particles or bits, the smallest elements of information. The signs produced...

Intuitive movements in front of a mirror are banal. Replacing the mirror by a screen showing a similar mirrored image, but filmed and augmented with "transfiction/alized” elements, results in visual interaction, in body movements, which can trigger

“Hello, world!” analyses the ephemerality or longevity of storage media and uses acustic signals for data storage. In a closed system, which is made up of a computer, a loudspeaker, 246 metres of copper pipe and a microphon, circulates a codified,