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2004
-
2004
... Weil and further expands the Hirshhorn's collection of
art
made with new and, or nontraditional media (:source...
Cabin fever
2004
-
2004
In Cabin Fever, Cardiff and Miller reference traditional museum displays by using the formal structure of the diorama to transport the viewer into a scene depicting a cabin set deep in the woods. The captivating soundtrack, draws the viewers into
get.real
... the inside of pregnant womens body, the womb on the screen the
art
ist defines a cyberspace as exclusively maternal. The space behind...
decon
2007
-
2008
...The project explores the use of biotechnology methods and materials as
art
media, for the development of paintings literally alive that...
The Berlin Files
2003
-
2003
... Files", it is initially the simulated presence of the two
art
ists in their studio that seems to dominate as the primary level of...
greenhouse converter 2010
2008
-
2008
ursula damm greenhouse converter, 2008 Cybernetic-model, consisting of waterfleas (daphnia magna), algues (Hydrodictyonreticulatum, volvoxglobator), LEDs with changing colours; pump, monitor, camera, waterfountain Water enriched with
bit.flow mk2
2007
-
2008
... the metaphorical “red thread” constitute a chaotic swarm of p
art
icles or bits, the smallest elements of information. The signs produced...
Intuitive Visual Interaction for Transfiction
2001
-
2001
Intuitive movements in front of a mirror are banal. Replacing the mirror by a screen showing a similar mirrored image, but filmed and augmented with "transfiction/alized elements, results in visual interaction, in body movements, which can trigger
Hello, world!
2004
-
2005
Hello, world! analyses the ephemerality or longevity of storage media and uses acustic signals for data storage. In a closed system, which is made up of a computer, a loudspeaker, 246 metres of copper pipe and a microphon, circulates a codified,
Mood Swings
2004
-
2006
... change of sound and color. This work is informed by the
art
ist's study of Indian chakra system along with her...
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