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  • A Video Essay about Brazilian artist Eduardo Kac by Tomas Durkin 
  • An expanded and redesigned version of the PFOM installation, initially produced for the Centre Pompidou, Paris, in 2001. The public contributes data about an object in their possession to a database that accumulates throughout the exhibition's
  • Graphic Jam -
    "Graphic Jam" is painting program with which many users can paint simultaneously - without knowing each other and without communicating. It's an attack on the ingenious artist, who is working and creating alone. (source:
  • Joanne takes at look at Wavefunction and Less Than Three, two interactive sculptures by Rafael Lozano-Hemmer at the Bitforms Gallery in New York City. For story links and more info, visit http://www.rocketboom.com/rb_08_nov_26/ Distributed by
  • Artificial Life Robotic Sculpture Series The Autotelematic Spider Bots 2006, is a new artificial life robotic installation. It consists of 10 spider-like sculptures that interact with the public in real-time and self-modify their behaviors, based
  • Sacred texts drawn as calligraphy: Some of the most powerful books in history are trying to connect people to something that is beyond the range of ordinary thinking. These same books, when read through ordinary thinking, can be reduced to rules and
  • net.flag -
    "net.flag" is a flag for the Internet. Every nation on earth has a flag that identifies the territory of that nation, and the flag is a symbol of conquest of new territory. One of the most memorable images of the 20th century is a scene of the
  • Pulse -
    Together the two projects, "p-Soup" and "Pulse", offer an experience of the special saturation and hue of monitor colours in varying combinations and continuous movement. The automation of image production is a fascinating dream born out of the
  • Christa Sommerer & Laurent Mignoneau - Lifewriter (2006)
  • Still ALife is an interactive monitor reacting to the presence and the distance of the observer to produce continuously changing three dimensional abstract and organic growing forms. © 2005, Christa SOMMERER & Laurent MIGNONNEAU