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Eden
2000
-
2000
... evolving creatures. Creatures move about
the
environment, making and listening to sounds,... to visualise
the
world, creating a
kind
of 'codespace' between land-scape...
Responsive Workbench
1993
-
1993
video
...RESPONSIVE WORKBENCH : THINKING BY HAND 1993
The
Responsive Workbench is an evolution of
the
... work benches with no compensation of any
kind
. It wasn't
the
scientists but
the
artists who...
Lightpools
1998
... user is given one of four fanalets as
the
y enter
the
arena, each containing a colored... with
the
work. Each lightpool is a
kind
of window onto a virtual ground plane, which...
Systems Maintenance
1998
... occupies a large circular platform on
the
floor, a virtual room is displayed on a... and patience.
The
public functions as a
kind
of crew, simultaneously filling
the
roles of...
Heliotrope
1998
-
1999
... images and animations in which
the
user interacts to control
the
sequence of... striving to understand and recognise some
kind
of universal energy or lifeforce which...
Energy_Passages
2004
-
2004
video
...ENERGY PASSAGES 2004 Energy Passages transforms
the
ordinary into something extraordinary.
The
daily... that
the
selection process encourages a
kind
of inner dialogue and reflection on
the
...
EMOTIONS IN SPACE
2014
... can give us a unique perspective on
the
understanding of world motion through... hands, which can delicately stroke human
kind
’s emotion clouds, uncovering
the
dynamic of...
EMOTION WINDS
2014
video
... can give us a unique perspective on
the
understanding of world motion through... hands, which can delicately stroke human
kind
’s emotion clouds, uncovering
the
dynamic of...
Ouroboros
2002
video
... in OUROBOROS PLACES we experience
the
poetic existence in memescapes, inhabiting... as natural worlds.
The
vocabulary of this
kind
of interactivity comes from genetics laws,...
World Skin, a Photo Safari in
the
Land of War
1997
-
2003
video
...World Skin is an interactive artwork presented for
the
first time at Ars Electronica (Linz, Austria)....
the
door that remains open to a certain
kind
of forgetting. We interpose
the
lens...
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