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  • ... through the walls and floods past its containers in the form of excess. This piece is about those excesses - about private voices and public ecstasy and the material manifestations of the human desire for transcendence. It is about the transgressive power...
  • the Flock -
    ... the sculpture to move toward participants. The microphones are placed so relative volume levels of viewer/participants voices can be monitored. Kenneth E. Rinaldo
  • ...Neuro-Baby is a communication tool with its own personality and character. Through emotional modeling, it reacts to changing voices, handshake intensity, and facial expressions. Artificial neural networks allow the system to "learn" from individual human inputs and...
  • sens:less -
    ... the viewing glasses give direction. Five creatures live in the virtual world of sense:less. The creatures have human voices, alien bodies and distinct personalities. They are based on real people and personal experience, and each has a story they...
  • RainDance
    ... When visitors position their umbrellas under the streams, the umbrellas become loudspeakers, revealing music, noises, voices and rhythms.
  • ... strong yet vulnerable, impressionable, with nothing to protect her but her skin, a 'suit of armour' against the voices that surround her, echoing words that influence her developing sense of identity. Manipulating the computer mouse, the...
  • Voices -
    ...Digital video 5 mins 36 secs colour, stereo sound by Hans Peter Kuhn Inspired by the poem of the same name, Voices is a visual evocation of Paul Celan's poem of Jewish experience within a concentration camp. Voices from the nettleway Come to us on your...
  • A New Life -
    ... the subject, Beatrice; the discourse on love and faith; a fascination with death and mortality; the plurality of authorial voices employed; the use of bodily organs and architecture as metaphors for the human condition and social processes; the radical...
  • ... it progresses is also affected by the complexity of the incoming numbers through the main patch. The timbres are singing voices, and they provide an accompaniament to an obbligato cello line which follows the evolving harmonies. Fruit Fly Fandango ...
  • ... The viewer moves closer to the piece and listens more closely. Surprised, the viewer realizes that the sounds are human voices coming live from another location. Ceasing to contemplate the object, the viewer now engages the other viewer co-present in a...