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The Blessed Abyss - A Tale of Unmanageable Ecstasies
1992
-
1992
... through the walls and floods past its containers in the form of excess. This piece is about those excesses - about private
voice
s and public ecstasy and the material manifestations of the human desire for transcendence. It is about the transgressive power...
the Flock
1992
-
1992
... the sculpture to move toward participants. The microphones are placed so relative volume levels of viewer/participants
voice
s can be monitored. Kenneth E. Rinaldo
Network Neuro-Baby
1995
...Neuro-Baby is a communication tool with its own personality and character. Through emotional modeling, it reacts to changing
voice
s, handshake intensity, and facial expressions. Artificial neural networks allow the system to "learn" from individual human inputs and...
sens:less
1996
-
1996
... the viewing glasses give direction. Five creatures live in the virtual world of sense:less. The creatures have human
voice
s, alien bodies and distinct personalities. They are based on real people and personal experience, and each has a story they...
RainDance
1998
... When visitors position their umbrellas under the streams, the umbrellas become loudspeakers, revealing music, noises,
voice
s and rhythms.
Suit of Armour
... strong yet vulnerable, impressionable, with nothing to protect her but her skin, a 'suit of armour' against the
voice
s that surround her, echoing words that influence her developing sense of identity. Manipulating the computer mouse, the...
Voice
s
1993
-
1993
...Digital video 5 mins 36 secs colour, stereo sound by Hans Peter Kuhn Inspired by the poem of the same name,
Voice
s is a visual evocation of Paul Celan's poem of Jewish experience within a concentration camp.
Voice
s from the nettleway Come to us on your...
A New Life
1989
-
1989
... the subject, Beatrice; the discourse on love and faith; a fascination with death and mortality; the plurality of authorial
voice
s employed; the use of bodily organs and architecture as metaphors for the human condition and social processes; the radical...
MIMI and the Illuminati
1992
-
2006
... it progresses is also affected by the complexity of the incoming numbers through the main patch. The timbres are singing
voice
s, and they provide an accompaniament to an obbligato cello line which follows the evolving harmonies. Fruit Fly Fandango ...
Dialogical Drawing
1994
... The viewer moves closer to the piece and listens more closely. Surprised, the viewer realizes that the sounds are human
voice
s coming live from another location. Ceasing to contemplate the object, the viewer now engages the other viewer co-present in a...
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