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  • Emergences of Continuous Forms was one of a series of performances and installations in this period which explored various methods of extending the cinematic image into the space of the viewers and of provoking the viewer's physical
  • Disillusion of a Fish Pond was one of three performances during the exhibition This is no Thing - This is a Situation of Opportunity at the Kingly Street Gallery in London. In this work a naked woman swathed in bandages of cotton-wool was sitting at
  • Glove Screen -
    This work was one of three performances during the exhibition This is no Thing - This is a Situation of Opportunity at the Kingly Street Gallery in London. Viewers could interactively control the inflation and deflation of transculent white surgical
  • Waterquake
    In Waterquake long lengths of tubing were dropped into a canal and then slowly inflated with air and smoke. The tubing emerged from the water, filling the canal and then spilling over into the surrounding streets. The spectators pulled and knotted
  • An inflatable tube made from transparent plastic, 250 metres long and 3 metres in diameter, was placed over the Mach lake connecting its opposite banks. This air-filled floating bridge had airlock revolving doors at each end, and its pliable floor
  • Three proposals for sculptures on the Hayward Gallery in London: a heap of giant inflatable potatoes on the terrace, an inflatable dome covered with a film projection which constituted a sphere of daytime sky during the night, and the whole building
  • Pig
    A helium-inflated pig was specially made for the cover of Pink Floyd's Animals album. It was flown over the Battersea Power Station for the photograph, but accidentaly got free and flew many kilometers over London and landed in the countryside -
  • The installation was made specifically for the neo-Gothic Vleeshal in Middelburg and consisted of a computer graphics video projection onto a large screen at the far end of the room opposite the entrance. Infra-red sensors and seven pairs of blue
  • Royal Road - video
    In 1993 a new videodisc-based version of Going to the Heart of the Centre of The Garden of Delights (1986) was made. No longer related to a particular architectural context, the viewer walks along a path marked by blue lights towards a large video
  • Golden Calf - video
    This work is constituted by a white pedestal on which there stands an LCD colour monitor connected to computing machinery by a cable running through the pedestal. The viewer of this work picks up and holds this monitor in his hands. The screen shows