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The Tele-Actor
2001
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2001
We are studying network-based systems that allow groups of users to "explore" live remote environments such as a rainforest, biotechnology lab, political rally, or rock concert. The "Tele-Actor" is a skilled human with cameras and microphones
Big father
1991
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1992
Steel, concrete, electromechanicals, medical hardware, ultrasonic sensors, audio and video. 5 units 7 ft high, plus attendant hardware. 1991-92 Over the past 20 years, an entirely new global system of digital communication has come into being,
Slippery Traces
1995
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1996
Slippery Traces is a multi-linear visual narrative in which viewers navigate through a network of over 240 interconnected postcards classified into 24 categories or chapters. The intention of the work has been to explore database structures as a
SensingSpeakingSpace
2000
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2002
"Sensing Speaking Space", is an interactive installation that focuses on the notion of the "intelligent space", a space that knows you are there and reacts to the presence and movements of multiple spectators sensed through a custom camera tracking
So.So.So. (Somebody, Somewhere, Sometime
2002
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2003
video
So.So.So. is an interactive installation by Maurice Benayoun that plunges the onlooker in the middle of the moment the one of photography which reveals a complex network of characteristic signs from our own experience of reality. What the visitor
Triad Net Dance
1998
TRIAD NetDance was a live Internet netcast between Helsinki, Tokyo and New York on 5th of June 1998. TRIAD NetDance took place simultaneously on three stages in three different countries. The dancer, choreographer Molissa Fenley was dancing in New
Public Keys: Acts of Faith, Trust, and Access
2003
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2003
The Tele-Actor collects sets of personal keys (housekeys, car keys, etc) from guests at the opening. The Tele-actor must convince guests that it is safe to turn over their keys, that their keys will be safely returned, and so on. Anyone at the
Mobile Feelings
2003
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2003
"Mobile Feelings" is an artistic project that explores the ambivalence of sharing personal information with an anonymous audience. Instead of communication via voice or images to people we know, "Mobile Feelings" lets people communicate with
Uirapuru
1999
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1999
Uirapuru (1996/99), by Eduardo Kac, was shown from October 15 to November 28, 1999, at the InterCommunication Center (ICC), Tokyo. A flying fish hovers above a forest in the gallery, responding to local as well as Web-based commands. Audio and video
Rara Avis
1996
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1996
... pp. 180 - 196, in: G
old
berg, Ken (Ed.), The Robot...
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