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... the Freudian notion of the Id, contemporary I.D. systems (biometrics) and a video-phone gone wrong. Employing digital "mirrors" that reflect imagery from two different locations the artwork functions as a portal to somewhere/someone else. Viewers look...

... systems of practice. They transgress the reflective distances upon which representation depends, identifying not in terms of mirrorlike relationships or oppositions but in terms of mutational interfoldings of inside and outside, small and colossal, near and...

... clips including footage of people doing the rumba, imagery of people performing personal hygiene or admiring themselves in mirrors, and images of nuclear power generating stations. The video clips have been edited to be synchronous with the timing sequence...

... work with one computer, using simulated recombinant genetic algorithms. The viewer sees themselves reflected in a maze of mirrors within the work whilst the computer watches them, using collected data to help generate the live computed simulation....

... causing them to combine or affect one another in other ways. The narratives unfold against a background projection which, mirroring the viewer's movements, lurches and swoops across an image landscape composed of several paintings and photographs,...

... the capabilities of the I/O Bulb: "Illuminating Light" is a general-purpose optics simulator, in which models of lasers, mirrors, lenses, and so on come to life, apparently projecting, reflecting, and refracting beams of light; while "Urp" is an urban...

... game culminated with an interaction with a glimpsed figure at 'Future Land', a leafy sunken atrium between four mirrored office blocks. Via a video call on their phone they were invited to answer the question on their postcard and address it to...

Mirrors: the Real and the Virtual, an information display about the project on view at the NASA-Goddard Research Center in Greenbelt, MD, where the project was developed in collaboration with optics engineer Joseph Howard between 2003 - 2005. (source:...

... a number I’m terribly interested in’. The very set of Desert Rain was a contamination of ‘the real and the virtual, each mirroring the design of the other, and connected through the permeable and physically traversable rain curtain.’ (Blast Theory, 2002)....

... the past fades more quickly resulting in a gently dynamic flow. The evolving images are presented as two video projections mirrored at their point of meeting. They are different readings of the same unfolding source material providing a kind of stereoscopy...