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... creation of collective global dynamics and life-like behavior. The intersection and coevolution of human cultures with technological information based systems has created an emergent web of data, images and ideas that surround the globe and interact in...

...A major Virtual Reality installation, motion tracking technology, stereoscopic projection as well as interactive sound and video create a unique immersive experience. (source: http://www.grahamnicholls.com/)

... the simulation algorithm itself that defines the completely artificial, two-dimensional world of the screen. While the technical requirements are in fact moderate and the setup relatively simple, 'bubbles' also displays illusionist qualities...

... chosen by the Red and Blue online teams. Your team chooses moves for the twisters (eg, "right hand YELLOW") using a Java technology-based online interface. During each turn, your challenge is to choose a move that is easy to reach for your...

...Even though we have the capability to communicate over long distances, we are losing the senses of "the body" when using modern technology. In the future, can we design a medium that overcomes that? "Televised Distance"is an interactive art project that suggests a...

...Even though we have the capability to communicate over long distances, we are losing the senses of "the body" when using modern technology. In the future, can we design a medium that overcomes that? "Televised Distance"is an interactive art project that suggests a...

... see the landscape and space is filled up with memories. The project tried to visualize this fantasy with the help of modern technology and hacked electoronics. Ideal location of this workshop is a museum or gallery. The group is divided into pairs, one...

... a means of "touching the heart" in a somewhat Japanese way by measuring the heartbeat of the "honest" body and using other technologies to reveal a new code of non-verbal communication from a hidden dimension in society. Naoko Tosa called this...

... or cooing depending on the way the viewer addresses it” (Stephen Wilson, Information Arts. Intersections of Art, Science, and Technology, Cambridge/Mass.: MIT Press 2002, p. 795). “It doesn't matter what words you use, but rather your tone of voice. So,...

... to make music to communicate particular emotions” (Stephen Wilson, Information Arts. Intersections of Art, Science, and Technology, Cambridge/Mass.: MIT Press 2002, pp. 795-796).