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... focusing in on the city at night and the gaps between what is real and what is fictional. The group are interested in the power of the viewer or participant to fictionalise their surroundings and to experience things which are not really there. Lengthy...

... to the preceding group's content, or else deletes it or overwrite it. The available quantity of time and computer power decides whether, how and when a group succeeds in cracking a password. In other words, a brute force attack's chance of...

... evolution and manipulation. To push it further, the audience thus will become "creators" or "artists" themselves, using the power and possibilities of such tools. GENMA is not a tool in the scientific sense. Its only purpose is to reflect on itself as...

... function, as a site of memory for the inscription of the social collective imagination and as a site of representation and power. (George Legrady)

...THE MEDUSA PROJECT (AUTOBIOGRAPHY) refers to the relationship between women and power as depicted in both ancient mythology, and in postmodern culture. It represents my attempt to directly merge personal history and influences into the production of an installation...

...In a series of 'test cases', Knowbotic Research investigate the construction of identity, power, and communication.The installation Black_Cat confronts the constitution of subjectivity under the current post-media condition. In this installation, 30 black balloons,...

... of old. Unfortunately the government of the USA has decided that strong encryption technologies are a threat to its power and need to be controlled - they would like to be able to eavesdrop on all communication and understand what they might hear. ...

... strives for a seamless transition from large to small, as in Lewis Carroll's Alice in Wonderland or Charles & Ray Eames' Power of Ten. You can move from a bird's-eye view of the city into Mies van der Rohe's New National Gallery, into the virtual...

...Shanghai Express is an interactive installation we developed for the City of Counter Light exhibition at the Shanghai Power Station of Art in November 2013. It allows users to create and interact with digital cityscapes that appear on an interactive train window. Users...

... At the same time, the eye and the sense of seeing are vital for the socio-cultural process we call individualisation. The “power of the eye” incarnates a host of different senses among which meanings can be far apart like the curiosity (“Schaulust” in German)...