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The formal visual aspect of the Reflections v2 series is strongly tied to the aesthetic of Minimal Art. It reduces its abstract vocabulary to visual representations of the number one and zero sculpted as lines (one) and rings (zero). This reduction

Algorithmic Visualizations" consists of images created directly from mathematical equations that have their origins in image processing algorithms used to enhance or analyze digitized images. This approach consists of rule-based processes that

George Legrady's work consists of a series of vibrantly colored, 14' x 22' 6" porcelain enameled steel panels on the angled concrete wall above the staircase and escalator unit at the entrance to LA City College station. Algorithmically generated

With this work Elke Reinhuber is imagining a world in which only robots are extant. They are continuously repeating the phrases which they learned while humans were only wondering how our planet could be saved. The immersive installation lures the

World Without End Virtual Reality, Commission, Manarat al Saadiyat 2017-18 Overview For Manarat al Saadiyat cultural center program, "Ramadan Arcade", artworks were commissioned that addressed Emirates culture during the holiday season. For this

There are several places at which the density of crucial decisions is rather high. In Paris, I observed the emblematic buildings of the stock exchange (Bourse), the parliament (Assemblée Nationale), the high court (Palais de Justice), an airport

Year Zero - 2121 Exhibition Concept Open Call 2121 for works to a future audience in hundred years. Expo 2121 _ noemata.net Text, Video, Networked Performance © Lila Moore, All Rights Reserved Artist Statement by Lila Moore ART AS AN ACT OF

"Não!" is organized in text blocks which circulate in virtual space at equal intervals, leaving the screen blank prior to the flow of the next text block. The visual rhythm thus created alternates between appearance and disappearance of the

In this poem we look straight down at the top surface of a cube. An invisible light source orbits the cube, casting verbal shadows that can be seen gyrating clockwise, much in the manner of a sundial. As new shadows are cast, the letters permutate

Three-dimensional navigational poem in which the letters/numbers I and O appear as elements of an imaginary landscape. IO is "I" in Italian. In this piece it also stands for reconciled differences (one/zero, line/circle, etc.). The reader is invited