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Point to Point
2001
-
2001
"Point to Point" (Networked installation, website, computer, projector, and video cameras) is a public art work that uses the motion of people in public space to drive an evolving graphic display. The display is projected onto a wall in the space
Feed
2001
-
2001
FEED consumes the web. A play on the technical term "data feed", FEED does not supply information, it consumes information, reducing structure, meaning and content to a stream of text and pixels. An anti-browser, FEED unravels the web. Contemplative
solid
1999
... a part. This natural behaviour
make
s these art works very appealing...
bit.flow mk2
2007
-
2008
julius popp bit.flow mk2, 2007-2008 Mixed media Courtesy: Dogenhaus Galerie, Leipzig Navigation through the modern world is no longer linear; the thread cannot serve as a model for its description. In bit.flow mk2 dozens of tiny pieces of the
roots
2005
-
2006
... following passive dream phase
make
s up one third of the cycle. The...
Sacred Code
2003
-
2003
"Sacred Code" is a rumination on three holy texts:The Old Testament, The New Testament and the Koran, as seen through a digital lens. In this new artwork, Napier has created algorithms that read these three books bit by bit, literally reading
Poetica Vaginal
1985
-
1985
In this project, Davis broadcast recorded vaginal contractions of ballerinas and beamed this interpretation of human conception to the Epsilon Eridani and Tau Ceti star systems using Massachusetts Institute of Technologys Millstone radar. In
US Department of Art and Technology
2001
-
2008
... is an artist-led, virtual g
over
nment agency. The US DAT functions...
warden sprites raum3, 2009-2010
2009
-
2010
warden sprites raum3, 2009-2010 Series of photos, an elf-receiver, 1 Mac mini with net-access, 1 ISOPHONE PLS 320 / 400, 1 radial high tone beamer with control unit developed by N-solab, 1 UV 350nm Spot with control unit developed by N-solab,
still living (a, b, e, f, g, h, i, j), 2006
2006
-
2006
still living (a, b, e, f, g, h, i, j), 2006 Series of infinite visual installations. Computer, specific algorithm Courtesy: the artist This series of visual installations revolves around the concept of living graphics: graphics using
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