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  • Torso
    A work using simulated recombinant genetic algorithms. The piece used two live computed image sources for two of the monitors, one prerecorded computer animated sequence and two live video feeds from surveilance camera's installed in the space. A
  • Olhos -
    Olhos was an interactive digital internet-based artwork that was created by Beatriz Albuquerque in 1999-2003 (http://olhos.no.sapo.pt/). It was uploaded for the first time on the Internet on 2003 and was part of the Web biennial 2003 de Instanbul,
  • Runtime animation in which the visual and sound tracks function independently and complementarily in two languages (English and Portuguese), one not being the translation of the other. “Desperto” means “awaken” in Portuguese. Originally a runtime
  • ... in all of these works was the artist's voice, delivering the...
  • Royal Road - video
    In 1993 a new videodisc-based version of Going to the Heart of the Centre of The Garden of Delights (1986) was made. No longer related to a particular architectural context, the viewer walks along a path marked by blue lights towards a large video
  • This sound installation explores the rapid dissemination of media, highlighting the diminishing boundaries of secrecy and privacy. Through immersive participation, visitors witness how whispered words swiftly propagate, their echoes enveloping the
  • All kinds of people are using their smartphones. The displays don’t show any apps – only the sensual movements of the hands. Each pair of hands plays both roles from Michelangelo’s “Creation of Adam” at the Sistine Chapel: God the father and Adam,
  • Exploded Views -
    ... an installation in which the artist’s personal interest in urban and...
  • Mapping the void -
    Mapping the Void is a series of urban performances by Pessi Parviainen and Christophe Bruno. The performances study the relations between different physical places and the mapping of the global mediascape as we know it.
  • Human Flesh Line -
    Video-makers frequently use a tool called vectorscope to measure frames saturation and hue. The color balance of a film is based on a line technically called flesh line, where all the human tones arrange on. It’s is very interesting how, unlike