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solid
1999
Solid is a group of 4 Java coded pieces consisting of unusual yet simple structures that can be twisted, stretched and generally thrown around the window by clicking and dragging the objects. The special quality of these pieces comes from how
The Last Supper And The City of Bits. Continuing the search for the Soul of the City.
2010
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2010
Stanza. Title. The Last Supper And The City of Bits. Continuing the search for the Soul of the City. Stanza presented this artwork below and gave an artists talk as part of the Folly Digital Lunch series. Twelve guests were invited to this
Sacred Code
2003
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2003
"Sacred Code" is a rumination on three holy texts:The Old Testament, The New Testament and the Koran, as seen through a digital lens. In this new artwork, Napier has created algorithms that read these three books bit by bit, literally reading
Poetica Vaginal
1985
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1985
In this project, Davis broadcast recorded vaginal contractions of ballerinas and beamed this interpretation of human conception to the Epsilon Eridani and Tau Ceti star systems using Massachusetts Institute of Technologys Millstone radar. In
US Department of Art and Technology
2001
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2008
The "US Department of Art & Technology" is an artist-led, virtual government agency. The US DAT functions as a conduit between the arts and the broader political and economic culture for facilitating the artist' need to extend aesthetic inquiry
PUBLIC DOMAIN RESPONSIVE ARCHITECURE FACADE BY STANZA THE AOF NOVA FACADE TRONDHEIM NORWAY
2010
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2010
... within the city, via virtual means and lo
cat
es it within the global online network. We are...
Soundcities
2000
-
2009
... characteristics back onto the lo
cat
ion or environment. The aim is to create an...
Sonicity
2000
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2009
... is a responsive installation, a sonifi
cat
ion of the data space. The sounds you hear are...
Sensity
2004
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2009
... project at Share IT in Italy 2007. Dislo
cat
e. Koiwa Art Space Tokyo Japan. 2007. Also...
PUBLIC DOMAIN
2008
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2008
... of experience and away from the reifi
cat
ion of the object. However, how audience...
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