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Cinematic Air Pollution Device
1967
... in color, old Hollywood musicals, newsreels of natural dis
ast
ers such as floods and earthquakes [and] abstract films such as...
Holopoetry (Series/Concept) 1983-1993
1983
-
1993
... the syntax of these holopoems. The three views of the holopoem
Ast
ray in Deimos illustrate other aspects unique to holopoetry:...
Narrative Landscape
1985
-
1995
video
... image - a satellite picture of earth inscribed with a Hebraic
ast
rological chart) is divided by a grid of red lines into nine areas...
Poetica Vaginal
1985
-
1985
... of Technologys Millstone radar. In 1995, the organization ars
ast
ronautica held the first art exhibition in space onboard the MIR...
Inventer la Terre
1986
video
... terrazzo base inlaid with brass signs representing a Hebraic
ast
rological map. This column has a viewing aperture, two controlling...
Paris VideoPlan
1986
-
1988
Paris VideoPlan was commissioned by the RATP (Paris Metro) to map the Madeleine district of Paris from the point-of-view of walking down the sidewalk. It was filmed with a stop-frame 35mm camera mounted on an electric cart, filming one frame every 2
Hierosgamos
1987
-
1987
Length: 1min. 30sec. Two repetitive movements are conjugated on either side of the screen: a young naked girl blows up a red heart shaped balloon, and an animated sequence from Muybridge shows two boys jumping over each other. (A. Hegedüs)
Ectoplasmic Kitchen v01
1987
Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1987 Ectoplasmic Kitchen v1 from 1987 was Acevedo’s first
Echo 9
1987
-
1987
Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1987 Victor: This is one my favorites in the Ectoplasmic
Ise D'oil
1988
-
1988
Length: 4min. 30sec. An imaginary conversation between two gyroscopes - their memories and their capacities for union. The idea is expressed by conjugating two different camera views of the same gyroscope around a central axis on the screen.
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