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Mutter or On Formally Undecidable Propositions of Principia Mathematical And Related Systems by Gödel revisited
2000
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2001
Mutter or On Formally Undecidable Propositions of Principia Mathematical And Related Systems by Gödel revisited Genetic Digital Cartoon, 42 chapters 2000 http://www1.khm.de/~marcello/html/mutter.html
38% und Simulationen (38% and simulations)
2000
-
2000
video
Marcello Mercado 38% und Simulationen, 1999 Videoart, 4' 39", stereo 4:3 colour https://vimeo.com/59615939 Music by Marcello Mercado Edited by Marcello Mercado Animation by Marcello Mercado
Home Transfer
1999
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2000
HOME TRANSFER looks at the relationship between home, architecture and new technologies. The interactive and participatory ‘net-art’ work unfolds via a menu composed of three 'chapters': Guest, Host, and Parasite. The work explores changing notions...
Olhos
1999
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2012
Olhos was an interactive digital internet-based artwork that was created by Beatriz Albuquerque in 1999-2003 (http://olhos.no.sapo.pt/). It was uploaded for the first time on the Internet on 2003 and was part of the Web biennial 2003 de Instanbul,...
NaCl
1997
NaClArtist: Ellen SandorComment:
CubeLife
1999
-
2012
https://www.academia.edu/401878/On_physiological_computing_with_an_application_in_interactive_art
The Lacemaker
1996
The Lacemaker is one of Acevedo's most well know works. It was exhibited at the ACM/SIGGRAPH98 Art Show called Touchware in Orlando, Florida, U.S July 19-24 1998. Concurrently it was featured in the gallery section of the magazine called Computer...
64 Samples
2000
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2000
64 SamplesArtist: Dave EverittComment:
1995/96 Sleeper’s Guts with William Forsythe, Ballet Frankfurt, Video and Set Design Frankfurt, Germany
1995
-
1996
video
Notes for Sleepers Guts Seaman/Forsythe Exchange over the pacific (weave of the airline trajectory) 26 / 09 / 95 (part 2) just sitting here in sydney - 9 / 10 / 95 (part 3) Part 3 a attraction / architecture / association / algorithm / arresting /...
Microworlds, Sirens and Argonauts
1999
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2020
Virtual Reality Installation. Partially funded by an art grant of the Annenberg Center for Communication, LA, USA. Developed at the University of Southern California, LA, USA, and Robotiker, Basque Country, Spain.
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