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Event: Critical Themes in Media Studies 7th Annual ConferenceInstitution: The New SchoolComment:

Combining the political with the poetic, William Kentridge's work has made an indelible mark on the contemporary art scene. Dealing with subjects as sobering as apartheid and colonialism, Kentridge often imbues his art with dreamy, lyrical

The selection of Internet-based art for the 2002 Biennial strives to give an impression of the variety of forms that net art can take and of the multiple themes that have emerged over the years. These forms range from alternative browsers and

Cadence was screened daily in the artists’ animated film programme curated by Professor Suzie Hanna for the micro-kino outdoor cinema space, featuring animations that respond to the themes of nature and journey, specially created for the Sculpture

The 2006 edition of the internationally renowned ISEA Symposium will be held August 5-13, 2006, in San Jose, California. There are four major themes that run throughout the Symposium and Festival: Interactive City, Community Domain, Pacific Rim,

The main Festival days (Friday May 25, Saturday May 26 and Sunday May 27) have each different related themes: Friday May 25: Art, technology & science ideas, selected from a variety of different fields Saturday May 26: Biology and Art — artists

This exhibit displays art whose basic media consists of machinery, electronics or electronic media. These works are acts of conversation, with many different connections – a condensing process in space and time. Themes presented by active artists of

Digital Queers is a conference at The New School, in collaboration with Goldsmiths and OCR, that will focus on issues related to social justice for the gay community at large. The evolution of society has led to an increased acceptance of the LGBTQA

The landscape is not just the natural environment or its representation. It is in itself a cultural construct, subject to the codes and beliefs of those who have configured it, be it physically (determining its shape by the arrangement of gardens,

Twenty years ago, Mary Louise Pratt proposed the notion of a “contact zone” as a place where culture is negotiated and challenged. Art can bridge or destabilize disciplines and methods in ways that reframe histories and bring new insights. Still, on