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Contact Zones/The Art of the CD-Rom
2001
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2001
Event: Contact Zones/The Art of the CD-RomInstitution: Nickle Arts Museum/ University of CalgaryComment:
Contact Zones
1999
Event: Contact ZonesInstitution: Gallery of PhotographyComment:
Contact Zones/ The Art of CD Rom
1999
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1999
The CD-Rom plays a particularly challenging role in these developments. In providing artists with a broader "bandwidths" and more extensive data bases than can yet be readily accessed on the internet, the format of the CD-Rom challenges artists to
L'éthique otaku : tous seuls ensemble, la crise de contact et autres troubles des sens
1999
Event: L'éthique otaku : tous seuls ensemble, la crise de contact et autres troubles des sensInstitution: colloque OTAKU, Maison de la Culture du JaponComment:
Second Nature
2010
Who are we ? Seconde Nature 27bis rue du 11 novembre, 13100 Aix-en-Provence, France Tel : +33 (0)4 42 64 61 00 / +33 (0)4 42 64 61 01 email : contact @ secondenature.org
Zonas de contactoArt History in a Global Network
2022
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2022
Twenty years ago, Mary Louise Pratt proposed the notion of a “contact zone” as a place where culture is negotiated and challenged. Art can bridge or destabilize disciplines and methods in ways that reframe histories and bring new insights. Still, on
TANGENT_FEAR: Inviting Horror
2006
TANGENT_FEAR presents the artistic research project Inviting Horror by Karen Lancel and Hermen Maat in which the experience of fear in public space is investigated. In a world in which daily activity is monitored through electronic technologies
Media Facades
2008
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2010
MYTHS AND POTENTIALS OF MEDIA ARCHITECTURE AND URBAN SCREENS Initiated by Mirjam Struppek & Susa Pop, Public Art Lab in cooperation with Media Architecture Group Vienna and the German Center for Architecture (DAZ) Urban Screenings: 16th Oct -
Cylinder & Bots
2019
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2019
Within their artistic work Giulia Bowinkel (*1983) and Friedemann Banz (*1980) explore the human perception of the digitally augmented real world. Within their generated scenarios, the computer functions both as tool and topic. The solo exhibition
WRO 01: Screens / raise of Cyberspace
2001
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2001
The leading theme of the WRO 01 Biennale, SCREENS expresses the character of the media art's present state. On one hand it seems appealed by fast development of cognitive horisons and expression of new communication spaces, and on the other
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