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CrossWorlds
2009
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2009
CrossWorlds, solo project, monumental installation in the Sancy National Parc, in the frame of Horizon projet, Auvergne, France, June - September 2009
Your Self Portrait
2009
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2009
Your Self Portrait, solo project, curated by Zsolt Kozma and Eike Berg, with Anna Balvanyos, Ludwig Museum - Videospace, Budapest, Hungary
Douce France
2007
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2008
Douce France, Contemporary Art Centre Abbaye de Maubuisson, Saint-Ouen l’Aumone, France, October 2, 2007 – February 28, 2008
Art Brussels
2012
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2012
Art Brussels, Jozsa Gallery, Brussels, Belgium, April 18-22
Theory and Practice of Media Art: Aesthetic Parergons and Perspectives
2010
Event: Theory and Practice of Media Art: Aesthetic Parergons and PerspectivesInstitution: National Center for Contemporary Arts RussiaComment:
Biennial of the Moving Image´90 / Bienal de la Imagen en Movimiento´90
1990
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1990
Curator: José Ramón Pérez Ornia; Artists: Marina Abramovic, Chantal Akerman, Max Almy, Julián Álvarez, Richard Angers, Ida Applebroog & Beth B, Eugènia Balcells, Irit Batsry, Robert Breer, Brothers Qualy (Stephen y Timothy Quay), Carl Browm, Robert
Veinticinco años del Museo Internacional De Electrografía. La investigación artística en las Colecciones y Archivos de Arte Contemporáneo de la Facultad de Bellas Artes de Cuenca
2015
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2015
Event: Veinticinco años del Museo Internacional De Electrografía. La investigación artística en las Colecciones y Archivos de Arte Contemporáneo de la Facultad de Bellas Artes de CuencaInstitution: Facultad de Filosofia y LetrasComment:
Archive&Innovate - Brown University
2010
Event: Archive&Innovate - Brown UniversityInstitution: Electronic Literature OrganizationComment:
Máquinas y almas: arte digital y nuevos medios
2008
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2008
Curators: Montxo Algora y José Luis de Vicente. Artists: Antoni Abad, Amorphic Robot Works, Ángel Borrego, David Byrne, Daniel Canogar, Vuk Cósic, Harun Farocki, Paul Friedlander, Mark Hansen, David Hason, Pierre Huyghe, Theo Jansen, Natalie
Metapaisajes. El paisaje a través del arte digital
2007
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2008
The landscape is not just the natural environment or its representation. It is in itself a cultural construct, subject to the codes and beliefs of those who have configured it, be it physically (determining its shape by the arrangement of gardens,
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