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Seeing Double: Emulation in Theory and Practice
2004
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2004
Event: Seeing Double: Emulation in Theory and PracticeInstitution: Guggenheim MuseumComment:
Deep Screen - Art in Digital Culture Proposal for Municipal Art Acquisitions 2008
2008
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2008
Event: Deep Screen - Art in Digital Culture Proposal for Municipal Art Acquisitions 2008Institution: Stedelijk MuseumComment:
Performing the Web: JODI and Jeff Crouse & Aaron Meyers
2009
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2009
performance
Plug-In (Basle, 2002)
2002
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2002
Event: Plug-In (Basle, 2002)Institution: plug inComment:
lGEOGOO (INFO PARK) by JODI
2008
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2008
Event: lGEOGOO (INFO PARK) by JODIInstitution: iMALComment:
GLOBALE: Without Firm Ground – Vilém Flusser and the Arts
2015
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2015
“Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
Record Again! 40 Jahre Videokunst.de. Teil 2
2012
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2012
The goal was to save video material threatened with disappearance and to rescue forgotten material. The project succeeded in retrieving a large number of videos from the 1960s and 1970s, believed lost, from artists, estates, and museum storerooms;
RECORD > AGAIN! - 40yearsvideoart.de – Part 2
2009
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2009
RECORD > AGAIN! Part 2 18.07.2009 – 06.09.2009, ZKM | Media Museum, Project Room Description »RECORD > AGAIN! - 40yearsvideoart.de - Part 2« concentrates on early German video art and shows numerous discoveries, which, for the most part, have no
Performance "Nomad: The River"
2005
Event: Performance "Nomad: The River"Institution: Trinity College Performing ArtsComment:
Without Firm Ground – Vilém Flusser and the Arts
2015
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2015
“Ins Universum der technischen Bilder” or “Lob der Oberflächlichkeit“ – with such programmatic titles Vilém Flusser (1920–1991) advanced to become one of the most influential thinkers to deal with communication and media in the 20th century. Flusser
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