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The European Media Art Festival 2015: Irony
2015
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2015
We come across irony all the time in everyday communication: in photos, caricatures, texts and conversations. Witty, critical or ironic comments are transformed into questioning works and words using the devices of under- and over-exaggeration,
The Entropy of Digital Debris
2015
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2015
Event: The Entropy of Digital DebrisInstitution: University of GreenwichComment:
The Earth, Our Home: Art, Technology and Critical Action, ACM SIGGRAPH Digital Arts online USA
2022
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2022
Deep rooted vision, profound and ingrained, the splendour of human or artificial intelligence having the capacity to master and enrich innovative scientific solutions whilst unravelling problematic complexities. In creating these artworks: ‘Measure
The Dump, Defense of the Dump (video), 4 pigment prints from The Dump Recycling of thoughts
2016
Event: The Dump, Defense of the Dump (video), 4 pigment prints from The Dump Recycling of thoughtsInstitution: Charbon Art SpaceComment:
The Delicate Landscape of Crisis
2011
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2011
A premier survey of California-based McPhee’s experimental films from 2002-2011 will screen at 21:00 , 15 April , 2011 at Freies Museum, Potsdamer Strasse 91 Berlin. Curated by Klaus W. Eisenlohr of Director’s Lounge, Berlin.
The Bride descending a staircase
1998
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1998
Event: The Bride descending a staircaseInstitution: Tyler School of Art, Temple UniversityComment:
The body is the message
2018
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2018
Event: The body is the messageInstitution: FILE - Electronic Language International FestivalComment:
The anagrammatical body and his medial construction
2000
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2000
In der Kunst des 20. Jahrhunderts wurde die Kategorie des Schönen einem radikalen Wandel unterworfen. Das vertraute klassische Schönheitsideal, insbesondere der ideale schöne athletische Körper in der Nachfolge der Antike, wurden vom Diskurs der
Tessarae of Venus
2009
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2009
Tesserae of Venus imagines a strange future through dynamic photomontages of energy-producing landscapes and related drawings. McPhee borrows from the tectonics of Venus-tesserae, or ‘complex ridged folds,’ in order to structure her images of
TANGENT_FEAR: Inviting Horror
2006
TANGENT_FEAR presents the artistic research project Inviting Horror by Karen Lancel and Hermen Maat in which the experience of fear in public space is investigated. In a world in which daily activity is monitored through electronic technologies
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