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Incompatibility is the condition arising when things are not working together. Given the current worldwide proclamations of crisis, be they political, financial, technological or environmental, it may seem as if incompatible elements and situations

The net jargon acronym BWPWAP – Back When Pluto Was a Planet is an expression used whenever one wants to talk about things in our recent past that have changed quickly. On August 24th, 2006, at the closing ceremony of their general assembly, the

Since 1973, video contributions have taken an essential part in the International Forum of New Cinema at the International Film Festival. 1988, the MedienOperative showed its own programme under the name VideoFilmFest – usually it has only been the

In only its second year, VideoFest has become the largest european video festival. Video is a young artform; from the beginning, it has been a reaction to the “brave new world” of the highly technical mass societies with all their computers, nuclear

1991 – the character of the programme has become more angular than before; there are more works that irritate in form and content, more documentaries that ry to find an innovative formal language for exciting topics, surprisingly more works that use

February: 8th Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 25–March 6, 2005 Venue: Tokyo Metropolitan Museum of Photography (Ebisu, Tokyo) Entries: 1,498 works (including 573 from overseas) Visitors: 24,658 people

February: 9th Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 24–March 5, 2006 Venue: Tokyo Metropolitan Museum of Photography (Ebisu, Tokyo) Entries: 1,797 works (including 456 from overseas) Visitors: 27,246 people

February: 10th Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 24–March 4, 2007 Venue: Tokyo Metropolitan Museum of Photography (Ebisu, Tokyo) Entries: 1,808 works (including 325 from overseas) Visitors: 26,706 people

VideoFest `93 had more to offer than ever before. On the one hand we offered a core programme of the usual high quality. On the other hand we can now boast greater space for all activities – the programme, installations, market, conferences, special

VideoFest in its seventh year, the year of that infamous „itch“ – which wasn’t the case luckily. The interconnections between video and television had become ever more important. The programme showed uncommon television productions and takes that,