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"Art and Body" was the general topic of EMAF 1995. Many artists had chosen the human body to be the focal point of their projects, and they also brought up the question of the influence the expansion of interactive media has on the individual. The

In 1996, the festival was still held in September, unlike later, when it was traditionally held in spring. This year, the film programme was put together in cooperation with the Swiss Film, Video and Multimedia Festival VIPER. It presented

For the 10th anniversary, almost 1000 entries were submitted to the organising team for the various sections of the festival. In addition to Great Britain and the USA, numerous contributions were sent from New Zealand, Japan, Romania and Brazil.

Event: Machinic Diatom series of new 15 new 3D Giclee prints on paperInstitution: Museo de Arte de CaldasComment:

Event: Autotelematic Spider BotsInstitution: Hopkins Hall GalleryComment:

Event: Autopoieis installation and the Machinic Diatom print seriesInstitution: The Works FestivalComment:

Event: The Autotelematic Spider Bots, Augmented Fish Reality, Our Daily Dread, Farm Fountain and Machinic DiatomsInstitution: Purdue University GalleriesComment:

EMAF 1998 addressed the structures of a mediatised society shaped by the simultaneousness of different systems. In everyday life, too, we are surrounded by perception situations taking place in parallel, explained the American Pat O’Neill, to whom

This year, EMAF’s congress – under the motto "European Digital Visions" – focused on the cultural self-image of our mediatised society including the i2tv live Demonstrator session with six on-line participants, on-site audience and the on-site

EMAF 2001 offered an examination of the present, increasingly dominated by information and media technologies that varied between play and reflexion. During the festival both the virtually endless possibilities of new aesthetic styles of composition