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This year, EMAF took a look beneath the "surface" and shed light on the handling of media from a variety of perspectives. No- und low-budget productions from the independent scene met films and videos produced with commercial cinema and

In contrast to the tendency perceived in previous years, an increase in film entries and the trend towards longer, more complex contributions in the film area became noticeable in 1992. In addition to presenting the Russian filmmaker Vladimir Kobrin

Event: All our relationsInstitution: Biennale of SydneyComment:

Event: Expérimenta / Rencontres-i, Biennale Arts Sciences 2013Institution: Biennale Arts Sciences Comment:

Event: Share Festival 2008Institution: Share FestivalComment:

Event: scenocosme : Curator : Irini PapadimitriouInstitution: Watermans - New Media GalleryComment:

Event: Singapore night festivalInstitution: National Museum of SingaporeComment:

A exposição Entre Sensíveis Pixels: espaço –tempo – agora leva ao Estúdio Galeria Mamute, uma discussão a respeito da arte em diálogo com as tecnologias digitais e com os questionamentos deste tempo. Uma mostra que pensa a condição na qual o

In a time characterised by the loss of utopia and by major social and political change, creativity was called for – this was where artistic and philosophical concepts became increasingly important for creating new perspectives. Not the answer, but

By 1994, EMAF had already evolved into one of the largest annual events for innovative experimental works in the areas of film, video and interactive projects. Compared to the created reality of television and the colourful media design of digital