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Art Innovation
2019
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2019
Event: Art InnovationInstitution: Kyoto University and Goldsmiths University (London)Comment:
Products, Privacy & People: Regulating on the Nanoscale
2011
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2011
Held at the House of Lords, London.
OXO Tower London
1997
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1997
Event: OXO Tower LondonInstitution: Ars Electronica Linz GmbH & Co KGComment:
Watermans - New Media Gallery - Brentford-London (UK) / Curator : Irini Papadimitriou
2011
Event: Watermans - New Media Gallery - Brentford-London (UK) / Curator : Irini PapadimitriouInstitution: Ars Electronica Linz GmbH & Co KGComment:
William Kentridge
1999
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1999
Die bereits vor zwei Jahren konzipierte Ausstellung von William Kentridge hätte im Vorjahr in der Neuen Galerie Graz gezeigt werden sollen, was jedoch aufgrund des verzögerten Umbaus der Neuen Galerie nicht möglich war. William Kentridge war
Map Marathon
2010
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2010
Park Nights Map Marathon: Maps for the 21st Century Saturday and Sunday 16 – 17 October Saturday 16 October, 12–11pm Sunday 17 October, 11am–10pm Major names gather for two-day live event at Royal Geographical Society The Serpentine
No soul for sale, curated by Cecilia Alemani, Massimiliano Gioni and Maurizio Cattelan
2010
No Soul for Sale: A Festival of Independents Z.A.K For No Soul For Sale 2010 Friday 14 May 2010, 10.00–00.00 Saturday 15 May 2010, 10.00–00.00 Sunday 16 May 2010, 10.00–18.00 To celebrate Tate Modern's 10th anniversary, the gallery will host
transmediale.08: conspire...
2008
Under the motto CONSPIRE... transmediale.08 aimed at examining dubious worlds of story-telling and remote opinion making in order to look critically at those means of creative conspiratorial strategies, that offer the potential to uncover new forms
VideoFest '89
1989
In only its second year, VideoFest has become the largest european video festival. Video is a young artform; from the beginning, it has been a reaction to the “brave new world” of the highly technical mass societies with all their computers, nuclear
Euopean Media Art Festival 1992
1992
In contrast to the tendency perceived in previous years, an increase in film entries and the trend towards longer, more complex contributions in the film area became noticeable in 1992. In addition to presenting the Russian filmmaker Vladimir Kobrin
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