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ncisively political and profoundly poetic, William Kentridge's protean artistic investigation continues in his beautiful series of tapestries begun in 2001. The tapestries stem from a series of drawings in which he conjured shadowy figures from

Technological advances were growing at an exponential rate, and electronic art had started to invariably succumb to the digital. To deal with these developments, the VideoFest had restructured itself: video, television and multimedia were now given

Lecturing on media art at New Technologies Lab at the University of Athens

Event: Festival AtlânticoInstitution: Galeria Zé dos BoisComment:

Event: M.A.S.S. (Massive Attack Sound System)Institution: _Un Espacio Contemporary Architecture and Sculpture centreComment:

Event: 18th Athens Digital Art FestivalInstitution: Athens Digital Art FestivalComment:

This installation was mounted in November 2001 in Athens, Greece, during the event media@terra, as an artist of Brazilian representation

In 2003 the Museum purchased Atlas Procession I, a print by William Kentridge, the first work by this internationally renowned South African artist in the SCMA collection. This fall, Kentridge is the subject of a major exhibition at SCMA, William

This installation was mounted in November 2001 in Athens, Greece, during the media@terra event, as a Brazilian representation artist. DOMINGUES, Diana . INS(H)NAK(R)ES. Media@Earth 2000, Athens, p. 37-38, 2000

A contemporary, non-profit independent visual arts initiative that attempts to support Egyptian and international contemporary art.