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For the 10th anniversary, almost 1000 entries were submitted to the organising team for the various sections of the festival. In addition to Great Britain and the USA, numerous contributions were sent from New Zealand, Japan, Romania and Brazil.

Event: Blickmaschinen und BilderweltenInstitution: Museum für Gegenwartskunst SiegenComment:

Event: The Aleph ProjectInstitution: National Museum of Modern and Contemporary Art SeoulComment:

Event: All our relationsInstitution: Biennale of SydneyComment:

Event: Expérimenta / Rencontres-i, Biennale Arts Sciences 2013Institution: Biennale Arts Sciences Comment:

EMAF 1998 addressed the structures of a mediatised society shaped by the simultaneousness of different systems. In everyday life, too, we are surrounded by perception situations taking place in parallel, explained the American Pat O’Neill, to whom

EMAF 2001 offered an examination of the present, increasingly dominated by information and media technologies that varied between play and reflexion. During the festival both the virtually endless possibilities of new aesthetic styles of composition

Virtual actor or: how real is reality? The congress at EMAF 2002 explored films in which avatars (characters created on the computer) or "human" actors rather than real human beings act in virtual environments. This topic was reflected also in some

Event: Share Festival 2008Institution: Share FestivalComment:

Event: scenocosme : Curator : Irini PapadimitriouInstitution: Watermans - New Media GalleryComment: