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Event: Meta.Morf 2010Institution: Trondheim Electronic Arts CenterComment:

Event: From sensors to sensation: The “Sensory Turn” in Contemporary ArtInstitution: Chronus Art CentreComment:

“Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new

The goal was to save video material threatened with disappearance and to rescue forgotten material. The project succeeded in retrieving a large number of videos from the 1960s and 1970s, believed lost, from artists, estates, and museum storerooms;

Marcello Mercado Van Gogh Variationen Die Installation setzt sich mit der Beziehung zwischen biologischen, technologischen und künstlerischen Formen auseinander. Mittels eines Systems von Datentransformation und –übersetzung, das in der Erschaffung

"Unaussprechbarlich" was presented at the "Magdalena München - In Between" weekend, October 2016. Previously it was presented at Schwere Reiter Theater and Lothringer13 (both in Munich).

Event: Transmediale 2015 Capture AllInstitution: TransmedialeComment:

Event: Art Is The Foundation Of PoliticsInstitution: Tate ModernComment:

Event: Re:Trace - 7th Conference for the Histories of Media Art, Science and TechnologyInstitution: Society for the Histories of Media Art, Science and TechnologyComment:

“Ins Universum der technischen Bilder” or “Lob der Oberflächlichkeit“ – with such programmatic titles Vilém Flusser (1920–1991) advanced to become one of the most influential thinkers to deal with communication and media in the 20th century. Flusser