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In contrast to the tendency perceived in previous years, an increase in film entries and the trend towards longer, more complex contributions in the film area became noticeable in 1992. In addition to presenting the Russian filmmaker Vladimir Kobrin

Event: Acceptable LossesInstitution: PNCA Feldman GalleryComment:

Event: Scientific SkinInstitution: MAK Museum für Angewandte KunstComment:

Event: LIVING MATERIELInstitution: Parco Arte ViventeComment:

Event: Avec Piotr KOWALSKIInstitution: Ecole des Beaux Arts de RouenComment:

Event: Artissima 14Institution: ArtissimaComment:

Event: UN CABINET DE CURIOSITÉ CONTEMPORAINInstitution: Maison d’art Bernard AnthoniozComment:

In a time characterised by the loss of utopia and by major social and political change, creativity was called for – this was where artistic and philosophical concepts became increasingly important for creating new perspectives. Not the answer, but

By 1994, EMAF had already evolved into one of the largest annual events for innovative experimental works in the areas of film, video and interactive projects. Compared to the created reality of television and the colourful media design of digital

"Art and Body" was the general topic of EMAF 1995. Many artists had chosen the human body to be the focal point of their projects, and they also brought up the question of the influence the expansion of interactive media has on the individual. The