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Subtle Technologies 2012
2012
The main Festival days (Friday May 25, Saturday May 26 and Sunday May 27) have each different related themes: Friday May 25: Art, technology & science ideas, selected from a variety of different fields Saturday May 26: Biology and Art — artists
European Media Art Festival 1988
1988
The European Media Art Festival was held under this name for the first time in the European Film and Television Year of 1988. The concept envisaged offering visitors and participating artists an informative programme by jointly presenting different
Paparazzi Bots premiere Portugal
2009
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2009
Event: Paparazzi Bots premiere PortugalInstitution: Inside Art ScienceComment:
Benefit auction for CEC Artslink. 2 Prints from Machinic Diatom Series
2009
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2009
Event: Benefit auction for CEC Artslink. 2 Prints from Machinic Diatom SeriesInstitution: Ronald Feldman Fine Arts GalleryComment:
Presentation and discussion with the History of New Media Art course
2010
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2010
Event: Presentation and discussion with the History of New Media Art courseInstitution: Ontario Science CentreComment:
Erster Schweizerischer Kongress für Kunstgeschichte
2010
Event: Erster Schweizerischer Kongress für KunstgeschichteInstitution: University of BernComment:
ISMAR 2011: 10th IEEE International Symposium on Mixed and Augmented Reality
2011
Event: ISMAR 2011: 10th IEEE International Symposium on Mixed and Augmented RealityInstitution: Congress Center BaselComment:
European Media Art Festival 1989
1989
In September 1989, for the second time Osnabrück hosted the European Media Art Festival, a forum that aimed to show and create free artistic spaces. Against the backdrop of media history, the intention of EMAF was to critically reflect upon the
Euopean Media Art Festival 1990
1990
To mark the start of the new decade, the European Media Art Festival presented a review of German experimental film and video art production from the 1980s, offering viewers the opportunity to see familiar works again and to perhaps rediscover and
European Media Art Festival 1991
1991
This year, EMAF took a look beneath the "surface" and shed light on the handling of media from a variety of perspectives. No- und low-budget productions from the independent scene met films and videos produced with commercial cinema and
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