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Sidney, Australia

Within a short time the VideoFest has become one of the most important international video festivals. The programme consisted of works covering the field of videoart and documentation; the intention was to point out video-specific realisations of

Also with the VideoFest ‘92, the MedienOperative claimed to reflect the development of international video culture and to represent a rich variety of genres – productions, sculptures, or selections from fields like interactive media and computer

META.morfosis Museum and Art in the Digital Era Duration: January 27th – June 2006 Curated by: António Cerveira Pinto Author(s): Various Print Press The META.morfosis project gathered the works of up to 26 outstanding artists whose

FEEDFORWARD – The Angel of History addresses the current moment in history where the wreckage of political conflict and economic inequality is piling up, while globalized forces—largely enabled by the “progress” of digital information

1995 VideoFest saw beyond the end of ist own nose and explored in detail what the new maigc word Multimedia stands for in the realm of CD-ROM and Internet artworks. There were performances, discussions, an exhibition and workshops.

WRO 01: Screens

February: 3rd Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 25–March 2, 2000 Venue: Sogetsu Kaikan (Akasaka, Tokyo) Entries: 796 works Visitors: 12,597 people

March: 5th Japan Media Arts Festival Exhibition of Award-winning Works Dates: March 1–10, 2002 Venue: Tokyo Metropolitan Museum of Photography (Ebisu, Tokyo) Entries: 1,053 works Visitors: 12,958 people *The Special Prize was newly established.

Park Nights Map Marathon: Maps for the 21st Century Saturday and Sunday 16 – 17 October Saturday 16 October, 12–11pm Sunday 17 October, 11am–10pm Major names gather for two-day live event at Royal Geographical Society The Serpentine