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Götzendämmerung: Art and AI as Aesthetic Discourse in the Age of Trans- and Posthumanism
2020
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2020
Event: Götzendämmerung: Art and AI as Aesthetic Discourse in the Age of Trans- and PosthumanismInstitution: Haus der KunstComment:
European Media Art Festival 1997
1997
For the 10th anniversary, almost 1000 entries were submitted to the organising team for the various sections of the festival. In addition to Great Britain and the USA, numerous contributions were sent from New Zealand, Japan, Romania and Brazil.
European Media Art Festival 1998
1998
EMAF 1998 addressed the structures of a mediatised society shaped by the simultaneousness of different systems. In everyday life, too, we are surrounded by perception situations taking place in parallel, explained the American Pat O’Neill, to whom
Euoprean Media Art Festival 2001: Inside/Outside
2001
EMAF 2001 offered an examination of the present, increasingly dominated by information and media technologies that varied between play and reflexion. During the festival both the virtually endless possibilities of new aesthetic styles of composition
MAK Vienna - Museum of Applied Arts - Vienna (Austria) / "Aesthetics of Change" / Curator : Peter Weibel
2017
Event: MAK Vienna - Museum of Applied Arts - Vienna (Austria) / "Aesthetics of Change" / Curator : Peter WeibelInstitution: Ars Electronica Linz GmbH & Co KGComment:
ISEA2015-DISRUPTIONS
2015
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2015
21st International Symposium on Electronic Art, august 14th - 19th, 2015. ISEA2015’s theme of DISRUPTION invites a conversation about the aesthetics of change, renewal, and game-changing paradigms. We look to raw bursts of energy, reconciliation,
AESTHETICS OF CHANGE: 150 Years of the University of Applied Arts Vienna
2017
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2018
Curators : Elisabeth Schmuttermeier, Curator, MAK Metal Collection and Wiener Werkstätte Archive Patrick Werkner, Professor and Head of the Art Collection and Archive, University of Applied Arts Vienna Gerald Bast, President, University of Applied
This one's for the Farmer
2013
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2014
‘This one’s for the farmer’ encompasses five bodies of work. Each set of work has been produced with the farming community as a partner. While the title seems to exclude the art viewer, the whole body of work is about enticing viewers to take a
The Unframed World
2017
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2017
In Virtual Reality the viewer overcomes the limited surface of a computer screen. Instead of looking through a window, the viewer exits real surroundings to become part of another world. The Unframed World is the first comprehensive presentation of
Sensible Concepts: Mediation as a Way of Being
2015
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2015
We are always in partnership with someone or something. The issue is what we are explicit about; who, what we collaborate with. For more than 25 years Patrick Lichty has created work about mediation, networked society, and how that process of
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