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Señales de vídeo: aspectos de la videocreación española de los últimos años
1995
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1996
Event: Señales de vídeo: aspectos de la videocreación española de los últimos añosInstitution: Museo Nacional Centro de Arte Reina SofíaComment:
Decima Bienal de La Habana, Integración y Resistencia
2009
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2009
Lilliput 4.0, was designed for the Décima Bienal de La Habana, Integración y Resistencia, Fuerte de La Cabaña, Havana, Cuba, 2009.
7th Havana Biennial - XX Unesco Prize for the Arts
2000
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2001
XX Unesco Prize for the Arts – 7th Biennial de La Habana
BEAP 2002: PREMISE
2002
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2002
... theoretical, cultural and philosophical
basis
of Electronic Arts practice. The inaugural...
D3US EX M4CH1NA. Art and Artificial Intelligence
2019
-
2020
D3US EX M4CH1NA. Art and Artificial Intelligence LABoral Centro de Arte de Creación Industrial, Gijón (Spain) November 22, 2010 – May 16, 2020 Memo Akten, Harold Cohen, Jake Elwes, Lynn Hershman-Leeson, Felix Luque, Lauren McCarthy, Anna Ridler,
Procesos. Cultura y nuevas tecnologias
1986
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1986
Processes gathered a compendium of works that used the new Tools and technological media of the moment showing new ways to create, capture, process, transmit and store informational content. In this Exhibition is evidenced the disappearance of the
Medidas de emergencia
1997
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1997
Medidas de emergencia puts on display Antoni Abad’s (Lleida, 1956) artistic evolution in regards to the use of new media. In this case, the tour passes from sculptural practice to video. Experimentation with media does not mean the abandonment of
Máquinas y almas: arte digital y nuevos medios
2008
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2008
Curators: Montxo Algora y José Luis de Vicente. Artists: Antoni Abad, Amorphic Robot Works, Ángel Borrego, David Byrne, Daniel Canogar, Vuk Cósic, Harun Farocki, Paul Friedlander, Mark Hansen, David Hason, Pierre Huyghe, Theo Jansen, Natalie
AL GRANO: Formas de pensar mundos
2014
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2014
AL GRANO: Formas de pensar Mundos, 2014, solo exhibition (images above and below) at the Centro de Museos de la Universidad de Caldas, commissioned by the Festival de la Imagen 2014, in Manizales, Colombia. A seed of transgenic corn represents an
Homo Ludens Ludens
2008
LABoral Centro de Arte y Creación Industrial presents HOMO LUDENS LUDENS, an international exhibition and conference examining play as a principal element of today’ s world, and highlighting its necessity for our contemporary societies. Following
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