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  • "META.morfosis" -
    META.morfosis Museum and Art in the Digital Era Duration: January 27th – June 2006 Curated by: António Cerveira Pinto Author(s): Various Print Press The META.morfosis project gathered the works of up to 26 outstanding artists whose
  • FEEDFORWARD – The Angel of History addresses the current moment in history where the wreckage of political conflict and economic inequality is piling up, while globalized forces—largely enabled by the “progress” of digital information
  • 1995 VideoFest saw beyond the end of ist own nose and explored in detail what the new maigc word Multimedia stands for in the realm of CD-ROM and Internet artworks. There were performances, discussions, an exhibition and workshops.
  • WRO 01
    WRO 01: Screens
  • February: 3rd Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 25–March 2, 2000 Venue: Sogetsu Kaikan (Akasaka, Tokyo) Entries: 796 works Visitors: 12,597 people
  • March: 5th Japan Media Arts Festival Exhibition of Award-winning Works Dates: March 1–10, 2002 Venue: Tokyo Metropolitan Museum of Photography (Ebisu, Tokyo) Entries: 1,053 works Visitors: 12,958 people *The Special Prize was newly established.
  • Map Marathon -
    Park Nights Map Marathon: Maps for the 21st Century Saturday and Sunday 16 – 17 October Saturday 16 October, 12–11pm Sunday 17 October, 11am–10pm Major names gather for two-day live event at Royal Geographical Society The Serpentine
  • Eduardo Kac -
    ... de la posición del sujeto en el mundo postdigital, cuestionando la evolución, la memoria...
  • A Fundação Bienal de São Paulo é uma das mais importantes instituições internacionais de promoção da arte contemporânea, e seu impacto no desenvolvimento das artes visuais brasileiras é notadamente reconhecido. A Bienal de Artes, seu mais importante
  • Much of 20th century society strove to depict 2010 as a shining example of a future framed by technological progress and social harmony. But as 2010 arrived it was clear that global society was neither the utopia nor the dystopia traditionally