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Decima Bienal de La Habana, Integración y Resistencia
2009
-
2009
Lilliput 4.0, was designed for the Décima Bienal de La Habana, Integración y Resistencia, Fuerte de La Cabaña, Havana, Cuba, 2009.
DESLOCAMENTOS DO EU: O AUTO-RETRATO DIGITAL E PRÉ-DIGITAL NA ARTE BRASILEIRA (1976-2001)
2001
-
2001
Event: DESLOCAMENTOS DO EU: O AUTO-RETRATO DIGITAL E PRÉ-DIGITAL NA ARTE BRASILEIRA (1976-2001)Institution: Itaú Cultural InstituteComment:
ARTISTA PESQUISADOR (Artist Researcher) PROJETO MAC
2001
-
2002
Event: ARTISTA PESQUISADOR (Artist Researcher) PROJETO MACInstitution: Museu de Arte Comtemporânea Comment:
ReAnima Festival - Best Experimental Film
2017
Event: ReAnima Festival - Best Experimental FilmInstitution: ReAnima FestivalComment:
GLOBALE: Without Firm Ground – Vilém Flusser and the Arts
2015
-
2015
... the academic forums and
are
nas of Germany. Wandering,...
Record Again! 40 Jahre Videokunst.de. Teil 2
2012
-
2012
The goal was to save video material threatened with disappearance and to rescue forgotten material. The project succeeded in retrieving a large number of videos from the 1960s and 1970s, believed lost, from artists, estates, and museum storerooms;
RECORD > AGAIN! - 40yearsvideoart.de – Part 2
2009
-
2009
... for decades. Included
are
major reconstructions, such...
Reykjavík Visual Music - Punto y Raya Festival - Third Prize
2014
Event: Reykjavík Visual Music - Punto y Raya Festival - Third PrizeInstitution: Punto y Raya FestivalComment:
Without Firm Ground – Vilém Flusser and the Arts
2015
-
2015
“Ins Universum der technischen Bilder” or “Lob der Oberflächlichkeit“ – with such programmatic titles Vilém Flusser (1920–1991) advanced to become one of the most influential thinkers to deal with communication and media in the 20th century. Flusser
Streams of Encounter– electronic media based artworks
2003
-
2003
... media. These works
are
acts of conversation, with...
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