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Kwangju Biennale 2004
2004
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2004
"The Gwangju Biennale 2004 is a cultural forum that experiments with established cultural practices that are centered around the art specialist and cultural power, specifically, artist and curator. To subvert the existing hierarchy, we deploy new
Prizma Art
1993
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1993
Event: Prizma ArtInstitution: ULUV-GalleryComment:
The Butterfly Effect
1996
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1996
Event: The Butterfly EffectInstitution: Soros Center for Contemporary ArtsComment:
Doors of Perception 5 : Play
1998
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1998
on "Play, Learning, Work, Design"
Medi@terra 2000
2000
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2000
Neo[techno]logisms The neologism NEOTECHNOLOGISM, for Medi@terra 2000, is a starting-point for a series of activities which aspire to escape from the meanings which define them, in search for a new identity. This is not a festival (ceci n'est
New York Digital Salon 2000
2000
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2000
Event: New York Digital Salon 2000Institution: New York Digital SalonComment:
Machinista 2003/Artificial Intelligence and Art
2003
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2003
The Machinista festival celebrates artificial intelligence in the arts, presenting an international selection of works where the machine plays an essential role in the creative process.
The 8th New York Digital Salon in Madrid
2001
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2001
Event: The 8th New York Digital Salon in MadridInstitution: New York Digital SalonComment:
Medi@terra 1999
1999
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1999
Pendulum Symposium Mediterranean and Balkan Art & Technology Festival MEDIA = The image of the world, an image elaborated according to the circumstances. The high point of 21st-century culture. The face of modern technology, the homo communicus of
Blue Stage
2001
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2001
Sound, film, music, photography and images, text: the Blue Stage interactive installation presents an innovative model for the multimedia representation of cultural themes. Here, new kinds of interaction of between man and networked knowledge are
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