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Medi@terra 2002: New Platforms
2002
-
2002
The aim of the events, in the context of Mediaterra 02, is to promote environments that advance communication and the universality of culture and to demarcate, record and project new standards of artistic expression and communication. (source:
Telematic Connections: the virtual embrace 2002
2002
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2002
Telematic Connections: The Virtual Embrace is a traveling exhibition organized and circulated by Independent Curators International (ICI), New York, and curated by Steve Dietz. The exhibition, Web site and the accompanying CD-ROM are made possible,
Telematic Connections: The Virtual Embrace 2001
2001
-
2001
Telematic Connections: The Virtual Embrace is a traveling exhibition organized and circulated by Independent Curators International (ICI), New York, and curated by Steve Dietz. The exhibition, Web site and the accompanying CD-ROM are made possible,
>=4D. Arte Computacional Interativa
2004
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2004
Event: >=4D. Arte Computacional InterativaInstitution: Centro Cultural Banco do BrasilComment:
Inauguration of the Stage for Music Visualisation, Digital Beethoven-House
2004
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2004
Performance at the Stage for Music Visualisation of the Digital Beethoven-House
Corpos Virtuais, Virtual Bodies
2005
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2005
Centro Cultural Telemar is called now OI FUTURO
4th International CAIIA-STAR Conference, Consciousness Reframed 2002
2002
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2002
Event: 4th International CAIIA-STAR Conference, Consciousness Reframed 2002Institution: CAiiA-STARComment:
The Art, Technology, and Culture Colloquium of UC Berkeley's Center for New Media Fall 2005 - Spring 2006
6
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6
Event: The Art, Technology, and Culture Colloquium of UC Berkeley's Center for New Media Fall 2005 - Spring 2006Institution: Ars Electronica Linz GmbH & Co KGComment:
The Telegarden
1995
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1995
Event: The TelegardenInstitution: BrucknerhausComment:
Telematic Connections: The Virtual Embrace 2001
2001
-
2001
Telematic Connections: The Virtual Embrace is a traveling exhibition organized and circulated by Independent Curators International (ICI), New York, and curated by Steve Dietz. The exhibition, Web site and the accompanying CD-ROM are made possible,
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