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El proceso como paradigma
2010
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2010
Before the background of unforeseen global processes, credit crash and climate change, the exhibition el proceso como paradigma researches the nature of processes and self organising, processual systems on a cultural level and in the arts. el
Balance-Unbalance 2017: A Sense of Place / COMESTIBLE: Seven-Day Meal Plan
2017
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2017
The daily meal is a powerful human institution and the family dinner table a site where food and home meld into an ‘intimate place’ of nurture. But, in times when climate change jeopardizes food security the question of ‘what will we eat in the
FACTORS 1.0 - Festival de Arte-Ciência-Tecnologia do Rio Grande do Sul
2014
O festival compõe o Simpósio de Arte Contemporânea que acontece desde 2006 na UFSM, realizado pelo Labart e promovido pelo PPGART/UFSM, sob coordenação da Profª. Drª. Nara Cristina Santos. Na esteira do 9º Simpósio de Arte Contemporânea, o FACTORS
ANIMAL NATURE
2005
Animal Nature is an exhibition concept that has developed out of an ongoing, expanding web-project entitled Criminal Animal found at www.criminalanimal.org. Criminal Animal is intended to bring together a wide range of artists, critics, scholars
The anagrammatical body and his medial construction
2000
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2000
In der Kunst des 20. Jahrhunderts wurde die Kategorie des Schönen einem radikalen Wandel unterworfen. Das vertraute klassische Schönheitsideal, insbesondere der ideale schöne athletische Körper in der Nachfolge der Antike, wurden vom Diskurs der
Substance
2017
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2017
We live today in an age of simulation as coined by French sociologist Jean Baudrillard. According to him, simulation is defined as the coinciding of appearance with reality. Thus, the boundaries between fiction and reality are blurred and
Biennial of the Moving Image´90 / Bienal de la Imagen en Movimiento´90
1990
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1990
Curator: José Ramón Pérez Ornia; Artists: Marina Abramovic, Chantal Akerman, Max Almy, Julián Álvarez, Richard Angers, Ida Applebroog & Beth B, Eugènia Balcells, Irit Batsry, Robert Breer, Brothers Qualy (Stephen y Timothy Quay), Carl Browm, Robert
"WEIGHING…and WANTING"
1997
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1997
William Kentridge: WEIGHING…and WANTING is an installation of charcoal, pastel and gouache drawings and a film transferred to laser disk which is based on the drawings. Kentridge's homeland, South Africa, figures largely in his artwork, which
Substance
2002
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2002
Richard Brown, Alan Dunning and Paul Woodrow Curated by Michael Alstad and Camille Turner InterAccess Electronic Media Arts Centre in partnership with Subtle Technologies and Year Zero One present Substance, an exhibition of interactive
Potential Spaces. Wie können Kunst & Design im 21. Jahrhundert erforscht und gelernt werden?
2017
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2017
Potential Spaces Wie können Kunst & Design im 21. Jahrhundert erforscht und gelernt werden? Do, 16.02.2017 – Sa, 18.02.2017, Staatliche Hochschule für Gestaltung Karlsruhe (HfG); Großes Studio, ZKM_Kubus Beschreibung Die Konferenz »Potential
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