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The work combines various mediums and literary genres (the cookbook’s taxonomy and authoritative style, scientific papers, children’s rhymes…) to reshape its own and presents the reader with complex assemblages on entangled phenomena related to

Universidad de Caldas - CCC Theater Founders 13 International Image Festival revolves around the theme "Digital creation and post-conflict" which proposes to reflect on the role of art, design and technology companies today must find ways to

Can algorithms ensure greater neutrality and efficiency? Are they as free from human bias as we usually think? The exhibition ‘Codes and algorithms. Wisdom in a calculated world’ seeks to make sense of this phenomenon and it’s implications. n recent

... messages in records and plots connections with contemporaneous events. Lindsay Seers’ 'then there were three' is based on...

From Media to Metaphor: Art about AIDS was a traveling exhibition. It was shown at: January 20-March 15, 1992 Emerson Gallery, Hamilton College, New York June 19-August 1, 1992 Center on Contemporary Art, Seattle, Washington September 8-October 6,

2014 “Progressive Proof: SF State exhibit features women printmakers from PacificRim”, San Francisco State University Art Museum, San Francisco, USA

This is the first significant survey of contemporary American art to explore critical issues related to women's health. Inside Out Loud consists of 51 artworks on loan from across the country by 30 artists in a range of media, including

En 2005, Aix-en-Provence a accueilli l'année du Brésil, où s'est développé de juin à novembre le projet "Pernambuco! art contemporain - culture populaire ". Les expositions et divers événements ont permis de porter un regard sur cet État du Nordeste

2011 – the year of the tsunami and nuclear disaster in Japan – but also the year of celebrations to mark 150 years of friendship between Germany and Japan. EMAF joined in the festivities by presenting the programme “Japanese Media Art Now”,

Eine Skulptur schwebt in einer digitalen Umgebung im Raum und verändert dabei ständig ihre Größe oder Oberflächenbeschaffenheit. Solch ein Bildwerk kann in der realen Welt mit ihren physikalischen Gegebenheiten nicht existieren. Diese Möglichkeiten