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1999 Fondation Cartier pour l'art contemporain Website: http://www.fondation.cartier.fr/verbarium.html (Verbarium is unfortunately offline at the moment due to a service provider change) - Paris, France

Poetry is the art of the word, but it can also be the art of human restlessness before the limits of language. So, it is expected that poets seek to extrapolate the conventional domains of verbal dynamics. One of the ways to do this is to approach

On the occasion of this exhibition, Acevedo updated his artist statement. It was quite brief but yet an articulate recapitulation of the enduring core values of his work. It spoke to the deep and long artistic journey he had traveled to this point.

From May 9 through June 1, 2019, Victor Acevedo presented a retrospective exhibition of his digital work at Los Angeles Center for Digital Art. He showed a selection of print work that spanned the years 1987 to 2019 and his computer animation and

Acevedo presented a 10-year retrospective survey of his Electronic Visual Music works and one pre-recorded AV performance. On opening night he performed two LIVE mix video AV sets along with Modular Synth musician called James Allen (J3m5).

In only its second year, VideoFest has become the largest european video festival. Video is a young artform; from the beginning, it has been a reaction to the “brave new world” of the highly technical mass societies with all their computers, nuclear

1991 – the character of the programme has become more angular than before; there are more works that irritate in form and content, more documentaries that ry to find an innovative formal language for exciting topics, surprisingly more works that use

Also with the VideoFest ‘92, the MedienOperative claimed to reflect the development of international video culture and to represent a rich variety of genres – productions, sculptures, or selections from fields like interactive media and computer

1995 VideoFest saw beyond the end of ist own nose and explored in detail what the new maigc word Multimedia stands for in the realm of CD-ROM and Internet artworks. There were performances, discussions, an exhibition and workshops.

Technological advances were growing at an exponential rate, and electronic art had started to invariably succumb to the digital. To deal with these developments, the VideoFest had restructured itself: video, television and multimedia were now given