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Art Innovation
2019
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2019
Event: Art InnovationInstitution: KENNIN-JI Zen temple, Kyoto University and Goldsmiths University of London art collegeComment:
Art Innovation
2019
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2019
Event: Art InnovationInstitution: Kyoto University and Goldsmiths University (London)Comment:
Götzendämmerung: Art and AI as Aesthetic Discourse in the Age of Trans- and Posthumanism
2020
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2020
Event: Götzendämmerung: Art and AI as Aesthetic Discourse in the Age of Trans- and PosthumanismInstitution: Haus der KunstComment:
Energy
2019
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2020
Event: EnergyInstitution: MoMA, NYComment:
Preview exhibit, PIN. benefit auction for the Pinakothek der Moderne and Museum
2019
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2019
Event: Preview exhibit, PIN. benefit auction for the Pinakothek der Moderne and MuseumInstitution: Pinakothek der ModerneComment:
Affective Enactive Rituals and The Naturalization of Technologies: “between the body and calculation, trance and algorithm”
2022
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2022
Documentary. In: For a digital imagination with Edmond Couchot, exhibition catalogue. * . In:TRAMUS, Marie-Hélène,DASTE, Sophie,SOHIER, Rémy Sohier, Emmanuel and ROLAND Dominique)CUISINIER, Emmanuel, and ROLAND Dominique (Commissariat)
Affective Enactive Rituals and The Naturalization of Technologies: “between the body and calculation, trance and algorithm
2022
-
2022
Documentary. In: For a digital imagination with Edmond Couchot, exhibition catalogue. * . In:TRAMUS, Marie-Hélène,DASTE, Sophie,SOHIER, Rémy Sohier, Emmanuel and ROLAND Dominique)CUISINIER, Emmanuel, and ROLAND Dominique (Commissariat)
Humanisation et naturalisation des technologies : de l’interactivité aux systèmes enactifs-affectifs
2022
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2022
The human-technology relationship opens up a new environment linked to the effects of technologies on our lives and causes an anthropological revolution through the presence of interactive systems that modify our perception of the world. In the last
"Nothing of him that doth fade ..."
2019
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2019
Event: "Nothing of him that doth fade ..."Institution: BrandhorstComment:
Future Bodies
2022
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2022
Event: Future BodiesInstitution: The Wrong BiennaleComment:
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