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Whitney Biennial 2002 Net Art Selection
2002
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2002
The selection of Internet-based art for the 2002 Biennial strives to give an impression of the variety of forms that net art can take and of the multiple themes that have emerged over the years. These forms range from alternative browsers and
Why history of art will probably forget Maurice Benayoun's Art Work ?
2002
Event: Why history of art will probably forget Maurice Benayoun's Art Work ?Institution: Emoçao Artificial, Itau CulturalComment:
Wiener Aktionismus und Aktionstheater in München
2015
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2015
2 lectures (Oliver Jahraus, Thomas Dreher), 2 actions (FLATZ, Alexeij Sagerer & proT)
Wiener Festwochen 2017
2017
Event: Wiener Festwochen 2017Institution: Wiener FestwochenComment:
Wiener Wunderkammer
2015
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2015
Event: Wiener WunderkammerInstitution: Technische Universität WienComment:
Will the VRoovie replace the Movies? From immersion to Critical Fusion, How Media Art opened the path to new narratives beyond the screen: VR, AR and after ...
2019
Event: Will the VRoovie replace the Movies? From immersion to Critical Fusion, How Media Art opened the path to new narratives beyond the screen: VR, AR and after ...Institution: International Symposium on Chinese Cinema in the 21st
William Kentridge
2009
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2009
South African artist William Kentridge has garnered international fame and admiration for performance, sculpture, drawings, and work in many other media, but his most indelible contribution is in animated film. Kentridge makes large-scale charcoal
William Kentridge
2005
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2005
The exhibition William Kentridge offers a retrospective of the artist’s entire body of work, with particular emphasis on his latest pieces. It includes more than 70 works: drawings, animated films and sculptures. Noteworthy among the major works on
William Kentridge
2005
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2005
Event: William KentridgeInstitution: Art Gallery of Western AustraliaComment:
William Kentridge
2004
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2005
William Kentridge, a native of Johannesburg (b. 1955), is an internationally acclaimed artist whose multimedia works present an arresting and forceful commentary on the contemporary cultural and sociopolitical issues in South Africa. Inspired by
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