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William Kentridge' featured Shadow Quartet - four free-standing bronze sculptures by this distinguished South African artist with a significant international profile, commissioned by the AGWA and funded through the Foundation, the Friends and a

William Kentridge, a native of Johannesburg (b. 1955), is an internationally acclaimed artist whose multimedia works present an arresting and forceful commentary on the contemporary cultural and sociopolitical issues in South Africa. Inspired by

Lincoln Center Great Performers Present Il Ritorno d'Ulisse March 2-6, 2004 Handspring Puppet Company Furio Zanasi - Ulisse Kristina Hammarström - Penelope Jan Kobow - Telemaco/Pisandro Marek Rzepka - Nettuno/Antinoo Atala Schoeck -

Event: Le Fresnoy, Studio National des arts contemporains, Tourcoing, France, “Panorama”Institution: Le Fresnoy Comment:

Oi Futuro, Rio de Janeiro, Brazil, solo show curated by Christiane Paul ("Eduardo Kac: Lagoglyphs, Biotopes and Transgenic Works"), January 25th to March 30th, 2010). [Hullabaloo, Oblivion, Theorem, Odissey]

Espacio Fundación Telefónica, Buenos Aires (March 27 to June 2, 2006)

Center for Art and New Technologies, Las Palmas de Gran Canaria, Canary Island, Spain (September 27 to October 28, 2005)

Event: Saint Petersburg BiennaleInstitution: Saint Petersburg BiennaleComment:

Artist and filmmaker William Kentridge has earned international acclaim for creating distinctive animated films that address the political and cultural climate of his native South Africa. In Tide Table (recently acquired by The Rose), the artist

Confessions est l'aboutissement d'un projet engagé depuis plusieurs années par le metteur en scène d'origine australienne William Kentridge et l'auteur Jane Taylor autour du roman d'Italo Zvevo, La Conscience de Zeno. Un opéra singulier ou se mêlent