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Ricardo Mbarkho spoke about the emerging artists’ approaches and positions in today’s Lebanese multi-cultural society, where religion, politics, war and post-war environments are always affecting the identity and belonging crisis. The aim of the

David's 3D computer animation "Zikaron" was screened at "La Normandie et le Monde" film festival in the "Experimental" category at the Musée des impressionnismes, in Giverny, France, 2011

Event: Space InventionsInstitution: Künstlerhaus WienComment:

Event: ISEA 2011 [International Symposium on Electronic Art]Institution: ISEA International1Comment:

Event: 27th Stuttgarter Filmwinter - "What happened to Underground?"Institution: Wand 5 e. V.Comment:

Burns, David R. “Borders, surveillance, and control in the digital age,” Soft Borders International Network Conference and Festival on New Media Art, peer-reviewed, São Paulo, Brazil, 2010

Before the background of unforeseen global processes, credit crash and climate change, the exhibition el proceso como paradigma researches the nature of processes and self organising, processual systems on a cultural level and in the arts. el

DEFINITIONS AND TOOLS Artbiotics - beyond the contemporary: art, biology and environment in the 21st century. Artbiotics is an open interactive and semantic plataform dedicated to biotech and enviromental art. Artbiotics is a work in progress.

En 2005, Aix-en-Provence a accueilli l'année du Brésil, où s'est développé de juin à novembre le projet "Pernambuco! art contemporain - culture populaire ". Les expositions et divers événements ont permis de porter un regard sur cet État du Nordeste

part of the ACM CHI conference.