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by Francesca di Nardo, hosted by T-A-X-I We asked to Italian artists migrated in Europe, the geographical Europe, not only the EU, to answer the following question: Which is the image representing your status of immigrant?

“Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new

“Ins Universum der technischen Bilder” or “Lob der Oberflächlichkeit“ – with such programmatic titles Vilém Flusser (1920–1991) advanced to become one of the most influential thinkers to deal with communication and media in the 20th century. Flusser

RECORD > AGAIN! Part 2 18.07.2009 – 06.09.2009, ZKM | Media Museum, Project Room Description »RECORD > AGAIN! - 40yearsvideoart.de - Part 2« concentrates on early German video art and shows numerous discoveries, which, for the most part, have no

The daily meal is a powerful human institution and the family dinner table a site where food and home meld into an ‘intimate place’ of nurture. But, in times when climate change jeopardizes food security the question of ‘what will we eat in the

Event: Noor: A Brain OperaInstitution: ITMO UniveristyComment:

Event: World SkinInstitution: Itau CulturalComment:

Event: Open Art, Shifting the WorldInstitution: AAP Department of Art, Goldwin Smith Hall, Cornell University IthacaComment:

Event: Tinkering with the Art ColliderInstitution: Thze Tinker Factory, Cornell University IthacaComment:

Event: Why history of art will probably forget Maurice Benayoun's Art Work ?Institution: Emoçao Artificial, Itau CulturalComment: