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DESLOCAMENTOS DO EU: O AUTO-RETRATO DIGITAL E PRÉ-DIGITAL NA ARTE BRASILEIRA (1976-2001)
2001
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2001
Event: DESLOCAMENTOS DO EU: O AUTO-RETRATO DIGITAL E PRÉ-DIGITAL NA ARTE BRASILEIRA (1976-2001)Institution: Itaú Cultural InstituteComment:
The Bride descending a staircase
1998
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1998
Event: The Bride descending a staircaseInstitution: Tyler School of Art, Temple UniversityComment:
Konferenz zur Bewahrung digitalen kulturellen Erbes
2018
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2018
Event: Konferenz zur Bewahrung digitalen kulturellen ErbesInstitution: Deutsche NationalbibliothekComment:
DIGITALE KUNST UND MUSEEN. Für eine konzertierte Konservierungsstrategie im föderalen Rahmen
2020
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2020
Event: DIGITALE KUNST UND MUSEEN. Für eine konzertierte Konservierungsstrategie im föderalen RahmenInstitution: Deutsche NationalbibliothekComment:
GLOBALE: Without Firm Ground – Vilém Flusser and the Arts
2015
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2015
“Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
Recycle a Boeing
2013
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2013
The second in the series of networked performances: “We have a Situation…” The participants in Nantes explored the realm of Aircraft recycling – a subject that came about through discussions addressing Nantes’ own second airport conflict and the
Eksjö Animation Festival - Award for Best Design
2009
Event: Eksjö Animation Festival - Award for Best DesignInstitution: Eksjö Animation FestivalComment:
Beyond the Screen- All Targets Defined
2006
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2006
Event: Beyond the Screen- All Targets DefinedInstitution: Galerie Grita InsamComment:
Bibliotheca Insomnia. The Digital Bauhaus II
2006
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2006
Event: Bibliotheca Insomnia. The Digital Bauhaus IIInstitution: Bauhaus-University Weimar Media Environments (Media Arts & Design)Comment:
Order and Rhythm
2020
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2020
Event: Order and RhythmInstitution: Austin Desmond Fine ArtComment:
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