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“Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new

The second in the series of networked performances: “We have a Situation…” The participants in Nantes explored the realm of Aircraft recycling – a subject that came about through discussions addressing Nantes’ own second airport conflict and the

Event: entre-deuxInstitution: ZAIMComment:

Event: entre-deuxInstitution: Mois Multi, MéduseComment:

Event: entre-deuxInstitution: Tanztage festival, Fabrik PotsdamComment:

AMRO - Art Meets Radical Openness Festival dedicated to Art, Hacktivism and Open Culture

Event: OBSERVEInstitution: the Art Center of College of Design in PasadenaComment:

Event: Connexio: uma vida óptico-eletrônica para as imagensInstitution: Università Degli Studi Di SalernoComment:

Event: "Beautiful Obsolescence" - EX SITU CONSERVATION: Colony Relocation for Electronic DetritusInstitution: THE CLUSTER GALLERYComment:

“Ins Universum der technischen Bilder” or “Lob der Oberflächlichkeit“ – with such programmatic titles Vilém Flusser (1920–1991) advanced to become one of the most influential thinkers to deal with communication and media in the 20th century. Flusser