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WRO2000@kultura
2000
-
2000
... 29th to December 3rd, 2000. The special edition of WRO
International
Media Art Biennale, commemorating the 1000th Anniversary...
Euopean Media Art Festival 1992
1992
... Vladimir Kobrin and the English artist Peter Greenaway, the
international
programme also included the multimedia installation "Ars...
European Media Art Festival 1989
1989
... aesthetic qualities. With programme structures open to
international
contributions, the festival used means from audiovisual...
IAMAS Artist In Residence Exhibition 2004-2005
2005
-
2005
The Artist in Residence program is one of the programs started at IAMAS since establishment. Each year IAMAS invites outstanding artists from overseas to Japan, and supports their activities while on the program. There have been 16 artists who have
Homo Ludens Ludens
2008
...ral Centro de Arte y Creación Industrial presents HOMO LUDENS LUDENS, an
international
exhibition and conference examining play as a principal...
European Media Art Festival 1996
1996
... VIPER. It presented interesting impulses from numerous
international
film and video artists. Performances by the Argentine...
Euoprean Media Art Festival 2001: Inside/Outside
2001
... programme, entitled "New Japanese Cinema" and the programme "
International
Clip Cult". At the "Electronic Lounge" the festival...
transmediale.07 unfinish!
2007
-
2007
... the subtitle of the festival: transmediale is no longer called ‘
international
media art festival’, but ‘festival for art and digital...
Processes: The Artist and the Machine. The audiovisual as register and memory in Media Art
2014
-
2014
On the exhibition could be seen for the first time in an open public display, the audiovisuals of the MIDE´s documentary archive, dialoguing with some of its most meaningful tangible artworks from its Electrographic Art Collection. Few audiovisuals
European Media Art Festival 2008
2008
... and has therefore been presenting the current trends of the
international
media scene in Osnabrück each spring for a quarter of a...
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