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Within a short time the VideoFest has become one of the most important international video festivals. The programme consisted of works covering the field of videoart and documentation; the intention was to point out video-specific realisations of

Also with the VideoFest ‘92, the MedienOperative claimed to reflect the development of international video culture and to represent a rich variety of genres – productions, sculptures, or selections from fields like interactive media and computer

MAP = Media Arts Plaza is the official site which supports creative activities and development of media arts. Starting with an offering for subscriptions, announcement of award-winning works, information about exhibition of award-winning works,

MEDIA FACADES FESTIVAL EUROPE 2010 will explore the networked possibilities of urban screens and media facades via internet and new technologies on a European level. The format of the MEDIA FACADES FESTIVAL reflects on the increasing presence of

Recorders is a major new exhibition by Mexican-Canadian electronic artist Rafael Lozano-Hemmer. The artworks in Recorders see, hear and feel the actions of people around them, using technology to create a playful yet ominous experience. This solo

1995 VideoFest saw beyond the end of ist own nose and explored in detail what the new maigc word Multimedia stands for in the realm of CD-ROM and Internet artworks. There were performances, discussions, an exhibition and workshops.

Event: DEAF 12: The Power of ThingsInstitution: V2_Lab for the Unstable MediaComment:

Theme: The Power of Tape

February: 3rd Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 25–March 2, 2000 Venue: Sogetsu Kaikan (Akasaka, Tokyo) Entries: 796 works Visitors: 12,597 people

Decode: Digital Design Sensations showcases the latest developments in digital and interactive design, from small, screen-based, graphics to large-scale interactive installations. The exhibition includes works by established international artists