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The European Media Art Festival was held under this name for the first time in the European Film and Television Year of 1988. The concept envisaged offering visitors and participating artists an informative programme by jointly presenting different

In September 1989, for the second time Osnabrück hosted the European Media Art Festival, a forum that aimed to show and create free artistic spaces. Against the backdrop of media history, the intention of EMAF was to critically reflect upon the

This year, EMAF took a look beneath the "surface" and shed light on the handling of media from a variety of perspectives. No- und low-budget productions from the independent scene met films and videos produced with commercial cinema and

http://www.artjaws.com/en/variation-artjaws-media-art-fair/

Event: Re:Trace - 7th Conference for the Histories of Media Art, Science and TechnologyInstitution: Society for the Histories of Media Art, Science and TechnologyComment:

In contrast to the tendency perceived in previous years, an increase in film entries and the trend towards longer, more complex contributions in the film area became noticeable in 1992. In addition to presenting the Russian filmmaker Vladimir Kobrin

In a time characterised by the loss of utopia and by major social and political change, creativity was called for – this was where artistic and philosophical concepts became increasingly important for creating new perspectives. Not the answer, but

By 1994, EMAF had already evolved into one of the largest annual events for innovative experimental works in the areas of film, video and interactive projects. Compared to the created reality of television and the colourful media design of digital

Event: BCIs, The Good, The Bad and The Ugly, new York Electronic Arts Festival, New YorkInstitution: HarvestworksComment:

Event: Dataified Research, Transmediale PhD Workshop with Aarhus University/ City university of Hong Kong, Hong KongInstitution: TransmedialeComment: